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![]() As with Breaking Bad (to which Saul is innately tethered), shots are composed with severe precision, the lens work guiding our eyes. ![]() Vince Gilligan and co.’s house style is enunciated and hyper-articulate. “Switch,” written and directed by Thomas Schnauz (who helmed season 1’s standout “Pimento”), takes its time revealing old secrets and setting up new ones, but it has a visual luxuriousness to it.
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